排灣族衝擊 看見純粹更看見蛻變 – 中時電子報
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排灣族衝擊 看見純粹更看見蛻變
2015年06月11日 04:10
中國時報 吳垠慧/台北報導
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排灣族藝術家雷恩2012年的畫作《Na Emadi_2》,展現瑰麗色彩。(福華沙龍提供)
肥碩的地瓜造型結合燈座變成《地瓜燈》,屏東排灣族藝術家峨塞.達給伐歷細膩的木雕功法,不僅將《地瓜燈》雕刻得維妙維肖,其木頭表面處理得彷如皮革,呈現出另一種視覺趣味。福華沙龍現推出「看見純粹:在山與海之間」聯展,集結8位排灣族創作者的作品,無論是繪畫、金工、琉璃珠、陶藝、鐵雕,都能看到不同於傳統的原民新「藝」。台灣原住民具天賦的藝術因子,排灣族更是藝術家輩出,這次展出者包括有「琉璃珠之父」稱呼的巫瑪斯.金路兒與江雅蕾的琉璃珠飾品,近年致力於排灣族群黑陶壺研究的雷斌展其陶器,藝術科班出身的雷恩以傳統珠繡當做鑲嵌素材,而一雙巧手承襲傳統編織的武玉玲展示其工藝設計,伊誕.巴瓦瓦隆獨創的紋砌刻畫,尼誕.達給伐歷的現代鐵雕刻劃部落情境,峨塞.達給伐歷則是結合大自然與木雕打造出趣味的生活飾品。
排灣族衝擊 看見純粹更看見蛻變 - 中時電子報
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排灣族衝擊 看見純粹更看見蛻變
2015年06月11日 04:10
中國時報 吳垠慧/台北報導
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排灣族藝術家雷恩2012年的畫作《Na Emadi_2》,展現瑰麗色彩。(福華沙龍提供)
肥碩的地瓜造型結合燈座變成《地瓜燈》,屏東排灣族藝術家峨塞.達給伐歷細膩的木雕功法,不僅將《地瓜燈》雕刻得維妙維肖,其木頭表面處理得彷如皮革,呈現出另一種視覺趣味。福華沙龍現推出「看見純粹:在山與海之間」聯展,集結8位排灣族創作者的作品,無論是繪畫、金工、琉璃珠、陶藝、鐵雕,都能看到不同於傳統的原民新「藝」。台灣原住民具天賦的藝術因子,排灣族更是藝術家輩出,這次展出者包括有「琉璃珠之父」稱呼的巫瑪斯.金路兒與江雅蕾的琉璃珠飾品,近年致力於排灣族群黑陶壺研究的雷斌展其陶器,藝術科班出身的雷恩以傳統珠繡當做鑲嵌素材,而一雙巧手承襲傳統編織的武玉玲展示其工藝設計,伊誕.巴瓦瓦隆獨創的紋砌刻畫,尼誕.達給伐歷的現代鐵雕刻劃部落情境,峨塞.達給伐歷則是結合大自然與木雕打造出趣味的生活飾品。
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「經過10、20年的摸索,有的人也向部落的撒古流學習,現在的原住民藝術是過去沒有看過的,單一個排灣族就可能看到利用不同的素材呈現自身文化,以及面對外在的衝擊與衝突」,雷恩解釋說。雷恩畢業於國立藝專美術科,除了抽象繪畫《Na Emadi創造者》色彩線條來自琉璃珠的色彩與釉燒過程中所產生形式上的自然變化,象徵族群血脈的擴張、繁衍與融合。陶壺在排灣文化中扮演重要角色,雷斌除了延續傳統陶壺的製作及保存,繼而從古陶壺中找尋新的創作生命,這次除了展出大型傳統形式的陶壺,另有新開發的素材陶壺。八八風災後,山裡受災的聚落遷往瑪家鄉禮納里的永久屋基地,現代生活取代了山林燒墾狩野、男耕女織的傳統記憶,尼誕.達給伐歷的鐵雕《心靈重建》、《感受不同》和《珍惜》,傳達對過往美好記憶的懷念與面對當下的矛盾心情。,